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"I Will Follow You Into The Dark"
Death Cab For Cutie
I Will Follow You Into The Dark
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KATE MOSS x TERRY RICHARDSON FOR HARPER’S BAZAAR
The lovely Kate Moss poses, once again, behind Terry Richardson’s lens - this time for Harper’s BAZAAR’s June/July issue. Moss poses on the beaches of Jamaica sporting the latest from Alexander McQueen, Versace, Yves Saint Laurent, and Calvin Klein amongst others. Ol’ girls still got it!
come a little closer 1-11, 2011,
Tomlinson Kong Contemporary, New York
about 12 x 80 feet, acrylic binder and pigments on wallRelated post: JVA/Prison
Desnatureza, 2011 | Galerie Vallois, Paris-France
plywood, 3,1 x 3,8 x 3,6m
Photo: Aurélien Mole
The Chase
1m (w) x 1m (d) x height variable
nylon threads, lead, leaves, female black bird and butterflyExhibited at The Fall, The East Rooms, London
Brian Brush and Yong Ju Lee’s Filament Mind is the winning deign for a public art installation in the Teton County Library.
About the project:
Suspended threads of gossamer fiber optic cables will span the length of the new lobby, and each thread connects on the wall next to the label of a unique library subject category. The cables will interface with the library’s own “mind,” the Wyoming State Library catalog. Each time a library user throughout Wyoming searches a person, place, idea or book, an individual fiber optic thread fires a glowing light or color related to the library subject category returned from that search. In this way, Filament Mind resembles a luminous “connectome,” or map, of synaptic brain activity, firing away the thoughts of people extended through the mind of the library.
“It’s inspired by the concept that our civic spaces should be intelligent and responsive, communicating as much to us as we do to each other,” said artist Yong Ju Lee. “This enables a form of intra-environmental social interaction between our thoughts and the material of our built environments.”
“It’s also based on the notion that art, which is truly for the public, should manifest what’s in the hearts and minds of the community, as a reflection of the influence of place on our thoughts,” added artist Brian Brush. “There’s no greater manifestation of this influence than in the interests that we cultivate throughout life and the questions we draw from our world.”
By Mike McClung
With a soldering iron, Mike McClung creates intricate burn outs out of vellum and cold-pressed paper and arranges the paper to create visual arrays.
I just walked into a gallery last night and came across this artist.
Tomas Saraceno’s installation on the Metropolitan Museum’s rooftop, “Cloud City,” opened today (or would have if the weather cooperated).